http://theworkingdraft.com/media/podcasts/BaxterBuildingEp20.mp3 Previously on Baxter Building: The mid-70s were a strange time for Marvel’s first family, who have found themselves dealing with cosmic hockey goalies, Puppet Master-possessed heroes for hire and rampaging Hulks in the last…
0:00-4:06: Greetings! How’s the weather, you ask? Well, Graeme McMillan and the rest of Portland, Oregon are boiling alive! Jeff’s fine, thanks for asking, but since he knows fine doesn’t carry well—podcasts being what Marshall McLuhan would call a “hot” medium—he moves us to the towering mountain of remaining listeners’ questions! Will he and Graeme get through all of the questions by the end of the podcast? Place your bets now!
4:06-16:24:Kevin Moreau asks: I have two questions that I hope you can find the time to answer as you’re patrolling Hub City to keep us all safe from crime. 1. It’s well known that Graeme is not a fan of the Marvel Cinematic Universe movies. Is there a comic-book movie (MCU, DC or otherwise) made since the dawn of the MCU (so since 2008) that you love or at least like, and what does it do right that the MCU movies largely don’t? (Primarily for Graeme, but Jeff please feel free to chime in as well.)
16:24-27:51: Kevin also wants to know: 2. Largely for Jeff, but if Graeme has any input, please feel free: I find manga largely impenetrable, but I want to give it a fair shake. What is it that appeals to you about the form, and what would you recommend for a newbie who finds it hard to get past the cartoon-y expressions and overall exaggerated nature of what little I’ve glimpsed? 27:51-35:51:Charles Forsman inquires: 1. Spawn/Batman or Batman/Spawn? 2. What’s the deal with all these comic books coming out every week?
35:51-47:20:Tom Bondurant queries: DC/Warners are putting out an animated version of The Judas Contract, in which a spunky 16-year-old superheroine is (spoilers!) revealed to be a stone-cold sociopath who hates the Teen Titans, is probably sleeping with the much-older Deathstroke the Terminator, and dies after being literally buried by her own rage-spawned freakout. I still have a lot of affection for TJC, especially in the context of New Teen Titans generally, but a) does it seem that problematic to you and b) what changes, if any, do you expect the adaptation to make?
47:20-55:50:Matt Miller wonders: Already asked one of my questions on Twitter, so here’s my 2nd: You two are starting a Crossgen-esque company dealing in popular (but non-superhero) genres. What two writer/artist teams (or cartoonists) would you recruit and what genre do you put them on?
55:50-1:02:40:Evan Harrison Cass interrogates: Jeff, what is your current ethical stand regarding the purchase of Marvel product? I’ve lost track. Also: When Tim Seeley and Tom King were co-writing their critically acclaimed Grayson run, most critics – including you two – assumed Seeley’s contribution wasn’t as ‘key’ as King’s. I know for a fact that Tim felt frustrated that he wasn’t given fair credit for bits that were his that were critically celebrated. What shapes the impression that a Seeley type writer is B-list while a King type is A-list?
1:02:40-1:11:46:Ray Mescallado queries: You get to greenlight a Legion of Super-Heroes movie. What era of Legion would you use (Grell 70s, Levitz/Giffen, Five Years After, reboot, threeboot, etc) and why? Would you connect it to the cinematic DCU and how? Which Legionnaires would you focus on, and who do you imagine playing their roles?
1:11:46-1:22:18: Levi Tompkins ponders: Do you think the lack of lgbtqi characters in Marvel books now is a result of them worried about how to deal with presenting those characters in other mediums like cartoons and movies? What do you think of valiant’s plans to create a movie-verse, or valiant’s attempts at extending their brand into other media formats in general?
1:22:18-1:30:58:Garrett asks: My question(s) are: Could a Jack Kirby (creative output and brand new ideas) exist in today’s comic’s industry? Are there any writers, artists, or writer/artists currently working today that come close?
1:30:58-1:41:52:Adam Wolfe inquires: 1st question: I read the first Flintstones by Mark Russell and I have the same feeling about it that I usually do after reading a Thomas Pynchon book: amused, a little perplexed, not sure if I get everything the author put in, but ultimately this feeling that I read something intellectual that I should feel smart for having read. Ultimately I think I enjoyed it but I was wondering, what are your thoughts on this series and is Russell’s Prez going to see a second volume? 2nd question: Do you think that Grant Morrison steal his idea of transporting to different universe through a musical instrument in Multiversity from the Heman Masters of the Universe movie from the 80s? There’s a dwarf like creature in that movie that uses a type of flute if I recall to travel back and forth from our realm to that Eternia.
1:41:52-1:52:48:Roger Winston (Flasshe) cross-examines: 1) As a big time Legion of Super-Heroes fanboy from way back (Cockrum, Grell, Levitz/Giffen, beyond) I am incensed that DC doesn’t know what to do with the LSH these days. Why is that? Is the concept just not something that connects with modern audiences? Or have they just not found the correct approach or creators to make it work nowadays? What do you think DC should do with the property? (I’m counting all this as one question, though you are free to handle it as you see fit.) (2) What is your preferred comic reading environment? For me, it’s iPad/recliner/beer/music on the headphones, usually after work and before dinner. If I try to read in bed at night, it’s snooze-land and no retention.
1:52:48-1:53:04:Yonatan offers: when DC finally brings the Legion back, what creative team?
1:53:04-1:56:18:Dave Clarke requests: compare and contrast Judge Dredd big summer events with those of the big 2?
1:56:18-1:57:44:Steven E. Chambers plays good cop: easy one: have you two been keeping up with Rucka and Lark’s Lazarus?
1:57:44-2:01:10:Scott Rowland is bad cop: I’m 100 episodes behind, so you may have covered, but any thoughts on Steve Ditko’s independent work over the years? And thoughts on Ditjko’s string of modest, but successful Kickstarters to publish new material?
2:01:10-2:06:08:Art Lyon is dramatic reading cop:What long-run title would u analyze a la your Baxter Building eps if u weren’t doing FF or – gasp! – *after* u finish FF?
2:06:08-end: Closing comments! Next week will be a Q&A session so please feel free to tweet or email us your questions. Look for us on Stitcher!Itunes! Twitter together and separately: Graeme and Jeff! Matt! Tumblr, and on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week: Baxter Building Episode #20! Fantastic Four #171-184! Join us!
[NOTE: Blog posts are like buses. So before you read me on WicDiv, please be sure to check out Graeme and Jeff doing a back-and-forth on DC Comics anniversary books. Oops. I’ll schedule better next time,…
GRAEME: For those who haven’t already heard the last Wait, What?, there’s a question from Tim Rifenburg that we ended up punting on, because we thought we might need a little more reflection and/or the…
http://theworkingdraft.com/media/podcasts/WaitWhat206.mp3 0:00-4:22: Greetings from Lost Lake Loop—okay, it’s actually Portland and San Francisco but we swear LLL (a location that sounds like a love interest for Superman when I abbreviate it like that) is actually…