Wait, What? Ep. 237: Big Questions

His name is Rio! And he dances on the sand! My name is Jeff! I was not a fan of the meme!

Together, we are here to finish what we started, which is answering the questions of the beautiful benighted souls on Patreon!

First up is Tim Rifenburg:

Hey Guys,

Thanks for doing the question thing again.

  • Question 1: Is there any character / company crossover you would like to see and who would write and draw it?
  • Question 2: Are you ever sorry you started the FF read through? I enjoy listening to your thoughts but you sometimes seem like you are struggling through the books.

Then there’s Ethan Johnson:

There are two variations, I don’t care which one you answer.

  • Marvel buys DC and moves existing Marvel creative teams intact to take over DC properties.  Pair creative teams with books.  I’ll allow recent iconic teams, because if you don’t put Hickman & Opeña on LSH, you’re crazypants.
  • Same scenario, but no DC.  Just shuffle existing intactcreative teams onto other properties, like when Byrne & Mantlo swapped Alpha Flight & Hulk!

(Psst! Because Jeff was so proud of his list, he insisted on including it here:)

  • Okay. Hickman and Opena on LSH. Sure. But honestly I think a better take would be Gillen & McKelvie?

And, then, uh, in no particular order, other than how I think of ‘em:

  • Al Ewing and Barry Kitson on JLA;
  • Al Ewing and Elsa Charretier on The Flash;
  • Al Ewing and John Cassaday on Forever People;
  • Dan Slott turned Spider-Man into Batman; maybe if he wrote Batman, he’d turn him into Spider-Man? No, just kidding: I’d give Dan Slott and Sanford Greene Angel & The Ape. (Maybe Slott could have Batman, Inc?)
  • Chip Zdarsky and Leonardo Romero doing Ambush Bug: Year Done;
    Ta-Nehisi Coates and Brian Steelfreeze doing Superman (I should probably say Wonder Woman and then they can just lightly rewrite their issues?);
  • And I guess Mark Waid and Chris Samnee on Action?
  • Jason Aaron and Goran Parlov doing Jonah Hex as one title, Batman as the other (I guess I was kidding about Dan Slott?)
  • Bendis doing Green Lantern (with Mike Deodato?), Aquaman (or maybe that’s Mike Deodato?), Green Arrow & Black Canary (with Dave Marquez), and Teen Titans (with Mark Bagley)
  • Ryan North and Erica Henderson get the coveted The Brave & The Bold treatment
  • Greg Pak and Chris Samnee/Stuart Immonen could take Wonder Woman?
  • Felipe Smith writing and drawing Vibe;
  • G. Willow Wilson and Tradd Moore on Teen Titans;
  • Jeff Lemire and Greg Smallwood on The Rose & The Thorn;
  • Ryan North (again!) and Gurihuru on Lois Lane;
  • Becky Cloonan and Olivier Coipel on Nightwing;
  • David Walker and Robbi Rodriguez on Batman and the Outsiders;
  • Tom Taylor and Phil Noto on Catwoman;
  • Nick Spencer and Jesus Saiz on Freedom Fighters;
  • Chris Hastings and Daniel Acuna on Metal Men;
  • Mark Waid And Humberto Ramos on Impulse;
  • Roxane Gay and Jackson “Butch” Guice on Suicide Squad;
  • Jason Aaron and Alex Maleev on John Constantine;
  • Matthew Rosenberg and Joe Quinones on Harley Quinn;
  • Gerry Dugan and Jim Cheung on Secret Six;
  • Jeff Lemire and Mike DelMundo on The Question;
  • Jason Aaron and Chris Bachalo on Thriller.

Thomas Williams is curious:

The past two years during either SDCC  or NYCC, Valiant do a huge sale and I end up buying the entire past year of back issues and binging them. I always find that the comics are just great with solid story, characters and art. However once this sale is over I am back to forgetting these books in my weekly purchases. What can Valiant do to get people like me to remember them throughout the year?

Also Graeme, of VanLente’s Archer and Armstrong and Timewalker which do you prefer?

Evan Cass wants to know:

Are there artists that you used to adore aesthetically that you can’t stand anymore due to those same aesthetics? Two of my favorite artists as a teen were Art Adams & Ron Lim; I loved their work. Now as a 40something their work literally upsets my stomach; it repulses me. I’m curious if you’ve experienced similar with any former favorites, and why you think that might be. Thanks for the show.

Here comes good ol’ Badger Mushroom:

You asked your Patreon patrons (of which I am one) for questions to waffle about. So here’s one: what do you two think of the recent purchase of The Beat by Lion Forge? Any implications for comics journalism?

(I should note that I have great respect for Heidi MacDonald and the staff of The Beat. I just want to hear the experts weigh in. ;) )

Thanks to you both for an entertaining and informative podcast, and thanks to Empress Audrey, Queen of the Galaxy, for bestowing her mercy on us all.

Brendan O’Hare has all the best questions!

For Jeff: Who did you wife/husband up on Stardew Valley?

For Graeme and Jeff: I know Jeff recently parted ways with most of his comic book collection, but are either of you still going through back issue bins to fill in a run? If so, which ones?

And finally, here’s our pal Roger Winston:

I totally missed submitting a question for the Q&A podcast, but I see you are extending it to a second episode. I know you are already full of questions, but here’s mine just in case you need another:

Background:

I sold off the bulk of my collection (~22k books) several years ago and stopped reading. But a few years after that, I discovered digital and got back in (mostly thanks to my iPad and Locke & Key). Now I am totally addicted to Comixology (and to a lesser extent, Marvel Unlimited) and spend way too much money there, buying a lot of books, most of which I will probably never read. I think I felt a need to replace my print collection with digital. At least it takes up less space.

Question 1:

Do you ever think there will come a time when we will lose the rights to the comics we have bought digitally? I don’t think I ever read the Comixology terms of condition, out of fear. But I worry about them going out of business or changing their model or dropping publishers or whatever. Although them being owned by Amazon does make me feel more secure. I have downloaded DRM-free whatever I can for backups, but that is limited to some indie publishers (mostly Image in my case) -Marvel & DC don’t allow that. So was I stupid to have sank so much money (most of it during sales, luckily) into something that could potentially go away before I have a chance to enjoy it? Oh, the hazards of being an obsessive collector, even when there’s no physical component.

Question 2:

Do you think DC will ever come out with a DC Unlimited type service? The bulk of the digital comics I have bought are DC. On one hand, I would love this, because then I could stop buying back issues. (I’ve bought very few Marvels since subscribing to MU.) OTOH, I would hate this because it means I spent a lot on things I could then read a lot cheaper. I have heard some suggestions that DC’s new TV streaming service might include a comics unlimited type service as well, which does make a certain amount of sense.

And that’s that!  Again, our thanks to all of you for tuning in, and a super big thanks for those of you on Patreon for you generosity!

Join us next week for a Baxter Building!  Issues #314-324 of The Fantastic Four!

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Wait, What? Ep. 229: San Diego State of Mind

0:00-18:02: Greetings from Graeme McMillan and Jeff Lester!  It’s only a few seconds in when Graeme says, “Welcome to the Mellow Wait, What? Hour,” and although he’s only riffing on Jeff’s low-key opening…he’s kind of on the money!  (Although, y’know, not an hour, of course.)  Yes, *un*-strap your seatbelts as two semi-overworked dudes let down what’s left of their hair to talk comics with a certain je ne sais atténué.  We move quickly on to talk about the world of comics news, but there is a certain indolence there as well because, as Graeme puts it, “a lot of people are, to be honest, shitting themselves before San Diego.”  Discussed: supporting examples; the few announcements that have popped up, the lack of even embargoed news for Graeme to have up his sleeve; Previews Night; a thought experiment about what might have happened if DC had tried to do a prequel to Watchmen; and what happened to bookstore sales of Wonder Woman after being the biggest movie of the summer; and more.
18:02-29:27: By the way, if you’re Dan Coyle—and hopefully that is only applicable to one person and there’s not a small army of people using that monicker to snark at us in our website’s comments—our discussion of a conspiracy theory about Marvel’s role in keeping Wonder Woman from making any of the sales charts on Amazon leads to us both explicitly agreeing: Yes! Yes, we will talk about John Byrne’s run on Star Brand!  And then us being us, we go on to talk a bit about our memories of John Byrne’s Star Brand, the end of the New Universe (and Graeme being Graeme, he admits to having already just read what he’s just agreed to read), a sly serving of three way mid-80s beef, and more. But first! We talk a bit about digital buffet fatigue, the reduction of prices in the 2000AD online store (which Jeff can’t even think about too much or he will lose his mind and most of his most recent paycheck), and other sundries.  If you haven’t gotten the sense this is an even more meandering episode than usual, dear Whatnaut, hopefully the fact I just talked about stuff I remember us discussing before it even actually got mentioned in the logical order you would expect it in should give you a clue.
29:27-41:57: And here’s another clue: “Oh man, Official Handbook of the Marvel Universe,” Graeme sighs,” what did you do to me?”  If you think that means we are going to tread on the edges of sacred House to Astonish ground and discuss both the Handbook and Who’s Who in the DCU, give yourself a cigar! A thirty-plus year old cigar! One inked by Josef Rubenstein! And then was pressed in a Tuska-era issue of Superboy and the Legion of Super-Heroes! (Don’t worry, it will all make sense if you listen.)
41:57-58:12: “Ah, Graeme, do you want to talk about recent comics that you’ve read?” Graeme admits (not entirely accurately, as it will turn out) the only recent comics he’s read is Dark Days: The Casting by Scott Snyder, James Tynion IV, Jim Lee, Andy Kubert, John Romita, Jr., Scott Williams, Klaus Janson, and Danny Miki (with Alex Sinclair and Jeremiah Skipper on colors)!  But should you be surprised when talk turns to which Super Powers action figures and which Secret Wars action figures each of us had? Probably not, no.
58:12-1:01:21: Want to hear Graeme recap the amazing “City of the Damned” storyline from Judge Dredd The Complete Case Files, Vol. 8?  If not, skip the section but hoo boy you will be missing out.  I *really* want to read this storyline now!
1:01:21-1:06:57: And then we’re back to talking about Dark Days: The Casting again!
1:06:57-2:01:02: And then Jeff wants to blab about the other recent comics he’s read because he thinks—possibly quite mistakenly—that would be something the listeners to this podcast might want to hear about:  Discussed:  Rocket #3 by Al Ewing and Adam Gorham; Suicide Squad #21 by Rob Williams and Gus Vasquez; Deathstroke #21 by Christopher Priest, Diogenes Neves, and Jason Paz; Batman #25 and #26 by Tom King and Mikel Janin;  Chilling Adventures of Sabrina #7 by Roberto Aguirre-Sacasa and Robert Hack, which leads to a very long discussion/disagreement between Graeme and Jeff about who would be on a list of the best-selling/most reliable creators of the current generation of Image creators, with a lot of Graeme looking up sales figures and dates; Kill or Be Killed #10 by Brubaker and Phillips (and Elizabeth Breitweiser!); Rock Candy Mountain #4 (so good!) by Kyle Starks and part of an ongoing underlying conversation across these titles—why aren’t more good comics discussed as they go along? Are we *all* addicted to dissecting the next new thing?
2:01:02-2:08:11: Also read by Jeff: Motor Girl #1 by Terry Moore (“as if Greg Rucka was writing Angel & The Ape?” Well, kinda!); Wave, Listen To Me!, Vol. 1 by Hiroaki Samura; and some preliminary comments on Manga Poverty by Sato Shuho (translated by Dan Luffey).
2:08:11-2:22:15: Closing comments? No, not quite! Jeff wanted to correct an earlier misstatement of his from a few weeks back when he said that all episodes of Wait, What? are currently available on iTunes.  Turns out iTunes’ podcast lists top out at 300 so…happy tricentennial to us?  And also, though we tried to avoid doing our quickly-becoming-a-standard-shtick of complaing about Marvel: you guys did you see that damn t-shirt variant cover thing? What the hell?!
2:22:15-end: “I have, I’ve got to admit, really enjoyed this meandering episode,” announces Graeme.  “Because it really is so close to San Diego that this is exactly where my mind is at right now.” And with that—after some debate as to when we will return (spoilers: three weeks!), we move to..closing comments! Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! Matt! Tumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
In Three Weeks:  Wait, What?, Ep. 230 (or three hundred and something, but who’s counting?) Have a nice little summer break and come back and join us here in August!
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Wait, What? Ep. 221: Et Tube, Brutus?

 

 0:00-7:32: Greetings from a very relaxed Graeme McMillan and a perhaps somewhat less relaxed Jeff Lester.  But, relaxed though they may be, they are still reading some of the books they discussed last week:  Graeme is still making his way through Hostage by Guy Delisle, and Jeff is still making his way through (deep breath) Abandoned Cars by Tim Lane, Judge Dredd: The Cursed Earth Saga Uncensored by Pat Mills, Mike McMahon and just about everybody, and although he finished vol. 1 of West Coast Avengers by Englehart, Milgrom, and Sinnott, he’s just barely dug into volume 2 (which actually starts seven issues after volume 1.  Boo, Marvel!)


7:32-21:46: The discussion about 2000 A.D. pacing in the 70s leads fittingly into Rob Williams’ current writing on Suicide Squad with art first by Jim Lee and currently by John Romita, Jr. (and a plethora of artists for each issue’s back-up strips, such as Eddy Barrows and Eber Ferreria in issue #14).  Also discussed:  the combat banter of Steve Englehart; the use of shtick and the back-up story structure in Suicide Squad; and more.

21:46-29:52:  Jeff was a bit bummed to hear one of his favorite comics, DC’s The Flintstones, is ending after issue #12.  And asking about this is a very fine way to get Graeme to talk about the upcoming DC/Hanna Barbera crossover annuals for which Graeme has read the review copies.  Discussed:  Flintstones/Booster Gold by Mark Russell and Rick Leonardi; the Snagglepuss back-up; the Batman/Top Cat crossover; and more.
29:52-35:28:  This episode was recorded on the day the new Justice League trailer was released (see above), so it made sense to transition from talking about the latest DC comics to DC’s latest attempt to build a franchise.  What’d we think?

35:28-59:47: And from the DC movie trailer, to the latest Marvel (non-Marvel Studios) movie, Logan.  Please note this is a full spoilers discussion—pretty much every bit of it gets spoiled so stay away from this section if you still haven’t seen it.
59:47-1:02:46: From there we pivot to discusss…the other Wait, What? podcast! (Wait, what?) We are many, and we contain multitudes, apparently?
1:02:46-1:12:12: And hey, here we are discussing this Marvel retailer conference thing that’s happening kinda/sorta of the downlow.  Jeff is wondering what Graeme has heard about, and if he thinks the Marvel Leopard can change its spots.
1:12:12-1:23:11:  What should’ve been a discussion on what Graeme’s reading becomes a longer discussion about Tom King’s Batman—Graeme is enjoying it tremendously, but Jeff is so far behind, will he ever catch up? And if so, how?


1:23:11-1:35:50: Graeme is also very impressed with what Joshua Williamson (with a raft of artists such as Carmine Di Giandomenico, Jesus Merino, and others) is doing to reinvent Barry Allen for The Flash, by taking the TV Barry Allen and doing an even better job with it. And that gets us into a discussion of characters that we care enough about that we’ll check out no matter who is on the title.
1:35:50-1:57:08: Graeme had linked to an article on Medium by Meg Downey about fanfic and although Jeff still hasn’t read the piece (he fav’d it for later), we discuss a bit about fanfic’s ability to give audiences what they want on certain properties better than the corporate owners of the properties. And then there’s some more talk from Jeff about Englehart and West Coast Avengers because, hey, who can stop him?


1:57:08-2:02:05: Also, thanks to another A+ manga recommendation from a Whatnaut, Jeff just finished the first volume of Interviews with Monster Girls by Petos, and wants to talk about it.

2:02:05-2:09:43: And Graeme wants to talk a bit about Terms and Conditions by R. Sikoryak which he is, uh, coolish about. He also wants to discuss Boundless by Jillian Tomaki, which he loves. And then…
2:09:43-: Closing Comments!  Look for us on  Stitcher!Itunes! Twitter together and separately: Graeme and Jeff! Matt! Tumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast. Oh, but before we go, Jeff has a theory about the Cursed Earth Saga, a certain creation of Pat Mills, and a certain creation of Jack Kirby.

Next week:  A skip week!  And then in two weeks, a Baxter Building!
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Wait, What? Ep. 209: Half-Caf/Half-Cast

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0:00-7:06: Greetings!  Because Jeff is an idiot, we lost the first hour and sixteen minutes of our recording.  So today’s episode will be comparatively short and it starts up with us telling you what you missed. It’s a surprisingly complete summary of seventy-six minutes jammed into six.  Discussion of what we discussed:  Batman Day (which this episode was recorded on), Batman vs. Superman: Dawn of Justice; Injection by Warren Ellis and Declan Shalvey; 2000 A.D. Prog. 2000; Suicide Squad #2 by Rob Williams, Jim Lee, and Ivan Reis; Jeff’s admiration for Superwoman #2 and Graeme’s for Supergirl; Detective Comics and Chris Claremont’s New Mutants; All-Star Batman #2; and Tom King’s Batman, which is where we catch up, since Graeme has to reiterate his point about…

batmantomking7:06-32:23: Tom King and the connection between The Vision and Sheriff of Babylon (which King has described as being part of an unofficial trilogy with his Omega Men), and how it connects to the first six issues we’ve read of Batman.  Also discussed: Alan Moore and Alan Moore’s Jerusalem; the promotional interviews with Alan Moore for Alan Moore’s Jerusalem; what would be the non-comic related questions we would ask Alan Moore; and mo(o)re.

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32:23-36:13:  Jeff wanted to talks about Moon Knight #6 by Jeff Lemire, Wilfredo Torres, Francesco Francavilla, and James Stokoe (!) where Lemire finally has a take on the character that really works for Jeff.
36:13-38:16: Jeff does a loose compare/contrast between Moon Knight and the first issue of Doom Patrol by Gerard Way, Nick Derington, and Tamra Bonvilliain.  A good fun book with some absolutely lovely art by Derington and colors by Bonvillain.

countnefariavsquirrelgirl38:16-57:25: Jeff also wants to give a shout-out to latest issue of Unbeatable Squirrel Girl with fill-in art by Jacob Chabot and another crazily strong script by Ryan North.  And after that, we talk a bit about North’s first issue of Jughead (which sounds *amazing*), which leads us to a not-thrilled impression of Zdarsky’s Howard The Duck, Marvel and hip-hop and much more.
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57:25-1:07:55: Also read and also (lightly) discussed:  The Fix #5 by Nick Spencer and Steve Lieber; Paper Girls #9 by Brian K. Vaughan, Cliff Chiang, Matt Wilson and Jared K. Fletcher; Saga by Vaughan and Staples; old issues of Ms. Marvel written by Chris Claremont; and more.

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1:07:55-1:11:33:  Sad to say, either Graeme did most of the talking in our lost hour, or maybe Jeff was out of control there too, but Jeff does too much talking this episode, even if it’s for a good cause like showing some love for the insane “Prisoners of Three Worlds” story from 1963’s Batman #153, by Bill Finger, Henry Boltinoff, Jack Schiff and Sheldon Moldoff, recently purchased during Comixology’s Road to Batman Day Sale.
1:11:33-1:15:02: I can’t adequately describe how we got to discussing Denny O’Neil’s career as writer and editor, a case Jeff tries to make by incorrectly assigning at least two Batman characters’ first appearances to the wrong era.
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1:15:02-1:19:10: Graeeme has some wonderful stuff to tell us about Books With Pictures, a great little comic book store in Portland, Oregon with a back issue drawer curated by Douglas Wolk, as well as the back issues he, Graeme, picked up from said drawer.  Mentioned: Heroes and Legends; the Legion of Substitute Heroes Special from 1995; Superman’s Girl Friend, Lois Lane issue #115; Superman and Batman: Heroes Against Hunger; and the zines from our colleagues Jay and Miles.
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1:19:10-end: Closing comments! Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! Matt! Tumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.

Next week:  Baxter Building Ep. 21! Read issues #184-200 of the first volume of The Fantastic Four and deconstruct them with us!  We will see you then!
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Wait, What? Ep. 207: Inquiries!

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0:00-4:06: Greetings!  How’s the weather, you ask?  Well, Graeme McMillan and the rest of Portland, Oregon are boiling alive!  Jeff’s fine, thanks for asking, but since he knows fine doesn’t carry well—podcasts being what Marshall McLuhan would call a “hot” medium—he moves us to the towering mountain of remaining listeners’ questions!  Will he and Graeme get through all of the questions by the end of the podcast?  Place your bets now!

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4:06-16:24:  Kevin Moreau asks:  I have two questions that I hope you can find the time to answer as you’re patrolling Hub City to keep us all safe from crime. 1.  It’s well known that Graeme is not a fan of the Marvel Cinematic Universe movies. Is there a comic-book movie (MCU, DC or otherwise) made since the dawn of the MCU (so since 2008) that you love or at least like, and what does it do right that the MCU movies largely don’t? (Primarily for Graeme, but Jeff please feel free to chime in as well.)

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16:24-27:51: Kevin also wants to know:  2. Largely for Jeff, but if Graeme has any input, please feel free: I find manga largely impenetrable, but I want to give it a fair shake. What is it that appeals to you about the form, and what would you recommend for a newbie who finds it hard to get past the cartoon-y expressions and overall exaggerated nature of what little I’ve glimpsed?
27:51-35:51:  Charles Forsman inquires:   1. Spawn/Batman or Batman/Spawn?  2. What’s the deal with all these comic books coming out every week?

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35:51-47:20: Tom Bondurant queries: DC/Warners are putting out an animated version of The Judas Contract, in which a spunky 16-year-old superheroine is (spoilers!) revealed to be a stone-cold sociopath who hates the Teen Titans, is probably sleeping with the much-older Deathstroke the Terminator, and dies after being literally buried by her own rage-spawned freakout. I still have a lot of affection for TJC, especially in the context of New Teen Titans generally, but a) does it seem that problematic to you and b) what changes, if any, do you expect the adaptation to make?
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47:20-55:50:  Matt Miller wonders:  Already asked one of my questions on Twitter, so here’s my 2nd: You two are starting a Crossgen-esque company dealing in popular (but non-superhero) genres. What two writer/artist teams (or cartoonists) would you recruit and what genre do you put them on?
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55:50-1:02:40:   Evan Harrison Cass interrogates:  Jeff, what is your current ethical stand regarding the purchase of Marvel product? I’ve lost track.  Also:  When Tim Seeley and Tom King were co-writing their critically acclaimed Grayson run, most critics – including you two – assumed Seeley’s contribution wasn’t as ‘key’ as King’s. I know for a fact that Tim felt frustrated that he wasn’t given fair credit for bits that were his that were critically celebrated. What shapes the impression that a Seeley type writer is B-list while a King type is A-list?
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1:02:40-1:11:46:  Ray Mescallado queries:   You get to greenlight a Legion of Super-Heroes movie. What era of Legion would you use (Grell 70s, Levitz/Giffen, Five Years After, reboot, threeboot, etc) and why? Would you connect it to the cinematic DCU and how? Which Legionnaires would you focus on, and who do you imagine playing their roles?
1:11:46-1:22:18:   Levi Tompkins ponders: Do you think the lack of lgbtqi characters in Marvel books now is a result of them worried about how to deal with presenting those characters in other mediums like cartoons and movies? What do you think of valiant’s plans to create a movie-verse, or valiant’s attempts at extending their brand into other media formats in general?
Celestials1:22:18-1:30:58:  Garrett asks:  My question(s) are: Could a Jack Kirby (creative output and brand new ideas) exist in today’s comic’s industry? Are there any writers, artists, or writer/artists currently working today that come close?
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1:30:58-1:41:52:   Adam Wolfe inquires: 1st question: I read the first Flintstones by Mark Russell and I have the same feeling about it that I usually do after reading a Thomas Pynchon book: amused, a little perplexed, not sure if I get everything the author put in, but ultimately this feeling that I read something intellectual that I should feel smart for having read. Ultimately I think I enjoyed it but I was wondering, what are your thoughts on this series and is Russell’s Prez going to see a second volume? 2nd question: Do you think that Grant Morrison steal his idea of transporting to different universe through a musical instrument in Multiversity from the Heman Masters of the Universe movie from the 80s? There’s a dwarf like creature in that movie that uses a type of flute if I recall to travel back and forth from our realm to that Eternia.
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1:41:52-1:52:48:   Roger Winston (Flasshe) cross-examines: 1) As a big time Legion of Super-Heroes fanboy from way back (Cockrum, Grell, Levitz/Giffen, beyond) I am incensed that DC doesn’t know what to do with the LSH these days. Why is that? Is the concept just not something that connects with modern audiences? Or have they just not found the correct approach or creators to make it work nowadays? What do you think DC should do with the property? (I’m counting all this as one question, though you are free to handle it as you see fit.)  (2) What is your preferred comic reading environment? For me, it’s iPad/recliner/beer/music on the headphones, usually after work and before dinner. If I try to read in bed at night, it’s snooze-land and no retention.
1:52:48-1:53:04:  Yonatan offers: when DC finally brings the Legion back, what creative team? 
1:53:04-1:56:18:  Dave Clarke requests: compare and contrast Judge Dredd big summer events with those of the big 2?
1:56:18-1:57:44:  Steven E. Chambers plays good cop:  easy one: have you two been keeping up with Rucka and Lark’s Lazarus?
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1:57:44-2:01:10:  Scott Rowland is bad cop:  I’m 100 episodes behind, so you may have covered, but any thoughts on Steve Ditko’s independent work over the years? And thoughts on Ditjko’s string of modest, but successful Kickstarters to publish new material? 
2:01:10-2:06:08: Art Lyon is dramatic reading cop:  What long-run title would u analyze a la your Baxter Building eps if u weren’t doing FF or – gasp! – *after* u finish FF?
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2:06:08-end: Closing comments! Next week will be a Q&A session so please feel free to tweet or email us your questions. Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! Matt! Tumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Baxter Building Episode #20!  Fantastic Four #171-184!  Join us!
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Wait, What?, Ep. 203: Collector Corpse

http://theworkingdraft.com/media/podcasts/WaitWhat203.mp3 0:00-2:28: Greetings from the Sleepy Duo, Graeme and Jeff!  One of is justified in their tiredness, one of them is not, but they still can manage to work up enough steam to discuss… 2:28-16:15:…

Wait, What? Ep. 193: Absurd and Delightful

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Whew!  Hey, Whatnauts, Jeff here.  My apologies for getting this up a bit later than usual: ironically, part of the reason is that I’m trying a new method for editing the podcast that should make it faster.  (The other part of the reason is that I caught a double feature of Lady Snowblood movies at the New Mission Cinema and ate deviled eggs and drank milkshakes with booze in them and it was pretty god-damned great.)
And that said, I should warn you there is the growing likelihood that the responsibilities in my day job may be changing in the very near future and Graeme and I have been trying to figure out how to make sure we still manage to deliver Wait, What? quality in a timely way. I hope you remain patient with me as I go through the process of working all that out.  Fortunately, you have lots of excellent, high quality writing from Graeme and Matt to keep you happy in the meantime.
Anyway, enough of that.  Let’s get shownoting, shall we?
0:00-6:24:  The greeting thing (this time with proper microphones); the Three Stages of Muppet; Muppets Most Wanted; Disney’s trifecta of the Muppets,  Star Wars and Marvel.

6:24-17:10:  Discussions of pop culture cocktails leads us to talk about Lego Dimensions, the video game IP orgy competitor to Disney Infinity.  And this leads to a discussion about the crossovers you stage with your own toys as opposed to officially sanctioned IP crossover play.  Also discussed: playing with action figures (in which Jeff accidentally mentions using Star Wars figures to fill in as SHIELD agents when he really meant using Star Wars figures); the scramble for new action figures for Return of the Jedi; which leads to discussing…

17:10-25:15: Jeff loves the fact that Star Wars fans love the bounty hunters from The Empire Strikes Back even though, as Graeme points out, even Boba Fett doesn’t appear for more than ten minutes total in the films.  Also discussed: George Lucas’s dislike of Boba Fett; Lucas’s official slogan for the making of the prequels; and  the ballad of General Grievous.
25:15-49:18: We segue so organically it’s actually hard to chop it up, but if you want to hear Graeme and Jeff argue about whether Star Wars is an epic about redemption or an anti-redemption without a lot of action figure talk, you can start here.  Please note we talk about Star Wars: The Force Awakens just a teeny tad and, depending on your view, we either do not spoil a darn thing or we talk about stuff that can lead the overheated mind to make some suppositions it might consider spoiler-y?  As Graeme points out, it’s probably not a big deal since everyone who’s wanted to see TFA by now already has BUT JUST IN CASE here’s your soft spoiler warning.  Discussed: whether or not Star Wars is pro- or anti-redemption; the handling of Jedi in the prequels; Jeff is a big fan of the theory put forward by Chris Ready over at his awesome Disaster Year 20xx blog about Return of the Jedi, where Graeme has a different view about the film, and is armed with facts in hand from his recent read of J.W. Rinzler’s Making of Star Wars books; the Ewoks in Vietnam; and Jeff’s discussion of the real phantom behind The Phantom Menace.
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49:18-1:04:48:  “Whatnauts,” sez Graeme, “once again, this is a podcast about comic books where we’ve talked about Star Wars for the first forty-eight minutes.”  And he’s got a point!  So we change up to talk about Batman #48 by Scott Snyder and Greg Capullo, and the high strangeness that is “Superheavy,” the current arc.  Discussed: the scene between two characters by the side of a lake; Mr. Bloom as DC Comics; Snyder’s metatext reaching the levels of Morrison’s Calvin Ellis issue of Action; Snyder’s take on Batman and Morrison’s take on Batman as it reflects their views on depression; and more.
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1:04:48-1:19:18:  Talking about Morrison’s darker works, we talk about Nameless #6 by Morrison and Burnham. FULL SPOILERS, I think we give it all away—in our vague sort of way—and I’ll tell you now one of us thought it was great, and another of us…did not.
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1:19:18-1:34:17: And as long as we’re running through the hall of mirrors, let’s move from Snyder to Morrison to the first three issues of Mark Millar and Rafael Albuquerque’s Huck, which Graeme read all at a go, and he gets a chance to compare and contrast it a bit with Valiant’s Faith #1 by Jody Houser, Francis Portela & Marguerite Sauvage. Pop quiz: which book do you think Graeme described as “weirdly cynical for a comic that theoretically should be the opposite” and which got described as “utterly fucking delightful”? And this leads us to talk about other books that are working in the absurd and delightful parts of town, and how they differ from other previous, more self-conscious works.
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1:34:17-1:54:05: And this leads us to a discussion about Spider-Gwen, particularly Radioactive Spider-Gwen #4 which Jeff has read.  His take on the reasons for the book’s tone are quite different from Graeme’s and quite possibly far less generous.  And from there we talk about which books we’re reading in All-New, All-Different Marvel and whether or not Marvel Unlimited actually raises the bar for books we’re willing to pay money for.  Discussed: Star Wars, The Unbeatable Squirrel Girl, Patsy Walker AKA Hellcat, Vision, Spidey, Spider-Man/Deadpool, The Ultimates, the upcoming Power Man and Iron Fist, and more.
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1:54:05-2:10:28: And although we are just about out of time, Jeff cannot resist asking Graeme what he thinks about the IDW reboot of Judge Dredd by Ulises Farinas, Erick Freitas, and Dan McDaid, in no small part because that and a ton of time spent playing the Judge Dredd pinball game, Jeff has a question he doesn’t know the answer to:  What makes for “good” Judge Dredd?
2:10:28-end: Closing comments! Look for us on  Stitcher!Itunes! Twitter together and separately: Graeme and Jeff! Matt! Tumblr!  And, of course, where, as of this count, 115 patrons make this whole thing possible!
Our special thanks to the kind crew at American Ninth Art Studios for their continuing support of this podcast, as well as our continuing special thanks to the Empress Audrey, Queen of the Galaxy…and to all 113 of our supporters on Patreon who make our show possible.
Next week:  There’s a break but we’ll back in two weeks with Wait, What? Ep. 194.  The march to Episode 200 has begun!  (Well, technically it started around episode one, but let’s not quibble.)
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Wait, What? Ep. 184: 2 Asked 2 Answered

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First, big thanks to Ed Corcoran for providing the perfect title for this episode!

Second, here we are!  This episode is a little early due to: the holiday weekend, some weird scheduling, and the desire to get a jump on the coming week which promises to be a bit of a sledge hammer.  So let us begin, shall we?

00:00-12:51: Greetings from Graeme “Cheers” McMillan and Jeff “Dora the Explorer” Lester, who are here once again for you!  Not only do we mention those two TV shows in the first two minutes, we also talk about Spider-Gwen #1, as read recently on Marvel Unlimited (under threat of physical violence)!  Although we both enjoyed the first issue, we talk about Jeff’s impressions of the book based on later issues, whether the book’s appeal rests solely with the creative team or not, whether or not the term “What-If’ing” is a thing or not, and more.  And this is also a fine time for Jeff to gripe about the Spider-Verse hardcover he got for super-cheap during an Amazon pricing SNAFU.  Did Marvel take passive-aggressive revenge on the advance order pilferers? Or is it just that a lot of the stories at least semi-terrible? Discuss!
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12:51-45:06: Then, our whistles whetted, it’s time for us to Q our little A’s off, with part two of our Q&A ‘cast, answering questions submitted to us by our mighty squad of patrons!  First up is Chris Carfora, who asks:  “1. Discussion Point: Have we reached the end of the age of Superhero comics? Seems like superhero movies are going through a bit of a golden age but i can’t say the same for the comics. With the reboots coming every two years now it just feels like the creators are constantly going over old territory and rehashing old ideas. Is there just not anything left to say about Superheroes? With the rise of independent comics and the availability of self-published comics through comixology and the like, do you foresee a shift away from superhero comics? 2. What would be your dream creative collaboration on your dream comic? Just to clarify, it can be past creators or current, so if you want Grant Morrison and Jack Kirby on Challengers of the Unknown go for it. 3. What cancelled or lapsed title would you most like to see resurrected? 4. In what way has the rise of marvel unlimited, comixology and other digital platforms changed the industry? Is this change a good thing?”
(Whew!) Discussed: the Direct Market; Jim Lee’s 1:5000 variant for Dark Knight III; Marvel’s troll response with a Deadpool variant cover; creator participation; Starbrand and Nightmask; the illusion of change versus the illusion of the illusion of change; Irredeemable, Incorrigible, Incorruptible, Incontinent, and Insufferable; Graeme not understanding Jeff at all;  crazy lists of dream teams for his dream comics including the Steve Gerber comic in heaven; Jason Aaron and Jason Latour on the amazing Marvel character, Razorback; Al Ewing and Henry Flint on Fantastic Four; the sequel to last year’s Judge Dredd epic, Titan, again by Rob Williams and Henry Flint; Aimee Bender and Pascal Ferry on Machine Man; Graeme summarizes the short but lively run of DC’s The Chosen; the crazy price discrepancies between some digital trades on both Marvel and Comixology (such as the Skull The Slayer and Weirdworld trades which are $10 cheaper on the Kindle); and more.
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45:06-58:27:  Carlos Aguilar asks: “1. Let’s say Image was formed in the 80s instead of the 90s, what 7 artists would you like to have seen leave Marvel (and if you want, DC) to form Image about ten years earlier? 2. Tons of Star Wars news coming out, so, Let’s say you got to pick creative teams for 4 different Star Wars books. What would the four titles be, and who would you have working on them? 3. Who would you like to see run the new incarnation of Heavy Metal instead of Grant Morrison?” Discussed:  Miller, Byrne, Perez, Golden, Simonson, Chaykin, and Art Adams (or Dave Cockrum?; the WaP! newsletter and Creator Bill of Rights crowd; being burnt out on Star Wars on the eve of Force Friday; Marvel’s Darth Vader series by Kieron Gillen and Salvador Larroca; Fabio Moon and Gabriel Ba on Boba Fett; Jason Shiga on C-3PO and R2-D2; Richard Corben on Chewbacca; the return of Walt Simonson to Star Wars; Brandon Graham editing Heavy Metal; Douglas Wolk editing Heavy Metal; Warren Ellis editing Heavy Metal; and more.
 Demon1558:27-1:04:09:  Max Brown asks: “It’s been a little while since Jeff has posted or talked about Jason Shiga’s Demon- and since it was Jeff that got me and a bunch of others reading it, it would be great to hear his thoughts on how the book has gotten 10000000x more insane and awesome since then, and on the recent announcement that First Second will be publishing it in collections. Thanks!” Discussed:  Jason Shiga’s Demon.  [Please note: Jeff actually screws up his issue numbers by one.  The amazing chase sequence is in issue #15 and the existential malaise is in issue #14.]
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1:04:09-1:36:16: Kevin Moreau asks, “1. What other podcasts, comics-related or otherwise, do either/both of you listen to/recommend? (Aside from Rachel and Miles and Into It, although please feel free to plug those, as well.) 2. What are your go-to sites/publications for comics news, insight, etc., other than your own website and Graeme’s various employers? 3. What are Marvel’s biggest problems today, and what can be done to correct them 3a. Are Secret Wars/All-New-All-Different and the continuing push to make Inhumans happen signs of creative bankruptcy? 4. I know I’ve read (Wait What mascot/patron saint) Steve Englehart comics over the years, but what would you point to as his most important/must-read work, or where should someone start in order to gain a greater appreciation? 5. Would you ever consider a Wait What Facebook group as a place for fans of the show to gather together and talk comics and related interest?” Discussed:  House to Astonish; Silence!; Comic Books Are Burning in Hell; Travis Bickle on the Riviera; the Nerdist Writer’s Room; the Guardian’s political podcast; 538’s What’s The Point; a Slate podcast called Working; Serial; Bleeding Cool and its recent trend for crazily biased news stories; The Outhousers; the terrific comics analysis columns by Paul O’Brien and Marc-Olivier Frisch; the surprising read that is comicbook.com; the surprisingly apt metaphor to describe DC’s new relationship to the Direct Market; the Steve Englehart stories you should start with; and more.
 1:36:16-1:41:18:  Paul Lai asks, “Seems we’ve thrown up our hands after Golden, Silver, Bronze, and the unfortunately named Modern Ages. Should we take for granted that comics are so diverse, diffuse, and mainstream now that maybe marking eras like that will be impossible/irrelevant? Or what about calling it a “Spectrum Age” where all that can really be taken for granted is the diversity?” (Paul actually had a long article he’d written about this that wasn’t accessible when Jeff tried to read it beforehand but it’s up now and it’s a pretty great read that makes a pretty compelling argument.)  Discussed:  Our less compelling arguments.
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1:41:18-1:44:53:  John Kim asks, “There are a lot of resets to the status quo in comic (Spiderman, Batman) after said comics try something different. Are the reasons for the resets mainly fan backlash and low sales? Here I am trying to sneak in another question… Are there any good legacy characters in comics?”  Discussed:  Wally West, Wally West, and Wally West; Batman: Year Zero; and more.
1:44:53-1:57:46:  Lewis Smith asks, “Of all the aborted story-lines, new directions, and false starts you guys have read in superhero comics, what was the one you really wanted to see play out?”  Discussed:  Firestorm as a fire elemental; Steve Englehart’s Fantastic Four and West Coast Avengers runs; the Amazing Spider-Man and headcanon; does Marvel need a reboot; and more.
1:57:46-2:08:12:  Ed Corcoran asks, “In a couple of previous episodes, you’ve mentioned the effect the library market has on how trade paperback collections are made and marketed. Can you talk a little more about the economics of that? What kind of comics rely so heavily on libraries? What do libraries look for? Also, are there any plans to collect the Avengers read-through into one big mega-episode?” We’ve tied this in with Drew Meger who asks, “It feels like every episode we hear a mention of some comic or other borrowed from your local library. As a librarian who buys comics for his library, I need to know: What comic titles would you want to see in your Ideal Library? Should we focus on the critical Top 10 list darlings and easy entry points for new readers or should we go obscure and get the titles readers might have been interested in, But not 30 dollar hardbound trade interested?” Discussed: how little we actually know about the economics of graphic novels and the library market; Kate Beaton, Vertical, Fantagraphics, Drawn and Quarterly and Pantheon; a bad maritime metaphor from Jeff, and more.
Celestials2:08:12-2:15:48:  Paul Spence asks, “Would the Whatnauts offer their views on Kirby’s Marvel series The Eternals. I read The Eternals for the first time this year courtesy of marvel Unlimited and it provoked a mixed response from me. The mythology appeared to be Fourth World Lite mashed up with some of the ideas from Kirby’s 2001, and a serving from Erich Von Daniken’s Chariots of the Gods. The Fourth World of the New Gods becomes the Fourth Host of the Eternals and DC’s Orion becomes Ikaris in The Eternals. This does appear to be a case where Kirby was recycling ideas. My second Kirby related question pertains to the Joe Casey penned Captain Victory and the Galactic Rangers. You covered the early issues in the series on the podcast and expressed both hope, and some trepidation, that it could be a masterpiece, or it could become a train wreck. Now that the mini-series has finished what do you think of the entire run?”  Discussed:  The Eternals by Jack Kirby, and Joe Casey’s Captain Victory and the Galactic Rangers; and not much more.
2:15:48-2:22:55: Louie Whitford asks, “Why didn’t Eclipse or First Comics survive? Or: What’s your favorite Eclipse series?”  Discussed:  quick shout-outs for books like Badger, Aztec Ace by Doug Moench and Dan Day; Alec by Eddie Campbell; Sabre by Don McGregor and Billy Graham; Destroyer Duck by Jack Kirby and Steve Gerber; the end of First and Eclipse; and so on.
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2:22:55-2:33:01:  Michael Loughlin asks, “1) In your opinion, what recent comics (2000s & 2010s) will be regarded as classics in the future? 2) Of all the writers who never worked with him, which writer would have made a good scripter for Jack Kirby? Feel free to choose one of his contemporaries or a current writer.”   Discussed;  our weird handwringing about the term “classic,” Al Ewing’s Loki and Kieron Gillen’s Journey Into Mystery; Bryan Lee O’Malley’s Scott Pilgrim; and more.
2:33:01-end: Closing comments!  Due to some crazy real-life events, I’ve cut out our talk of upcoming episodes and gone straight to Graeme telling you where you can find us on the Internet.  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! Tumblr!  And, of course, on Patreon where, as of this count, 109 patrons make this whole thing possible! Speaking of which, Jeff has an apology that, thanks to an incisive email from Steve H, we have been tardy in providing the “recommend a book for us to read” perk to long-time patrons. We are in the process of getting organized and it is coming….soon!
http://theworkingdraft.com/media/podcasts/WaitWhat184.mp3
Whew!  Okay, so we hope you enjoy this episode, keep an eye on this space for what’s coming next, and remember: keep reading those comic books—you never know when you’re going to spend two and a half hours talking about them!
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